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    April 19

    理论的迷惑

        刚才重读森田,有一句话,说如果你问什么是梨,我给你指出来,这个是梨,桌上摆的这个就是。但是你问梨是什么,则说了半天也说不清楚。
        他又写道,所谓善恶这些宗教家的概念,都有一定的条件。幸福与不幸也是如此。对于我来说,只要承认事实就可以了,不要谈什么幸与不幸。
        艺术也是如此,我有时候觉得我应该像罗素那样去行事——我绝对不会为了我的理想而献身,因为我很可能是错的。
        如果不尊重事实,理想就落入迷惘。什么是艺术,我很清楚地知道,这个是艺术,那个是艺术。当我读到一首唐诗的时候,那种希望有人和我一起读它的心情,非常清晰的能够想起。但是反过来问,艺术是什么?则没有人说的妥帖。我觉得这样看来,什么是艺术不重要,这是取决于一定条件的。此时人们消费此种产品,彼时归于寂寞,无人赏识。这都未可判定。然而事实就是事实。艺术对于有些人来说具有很大的重要性,对于另一些人来说则完全没有重要性。任何夸张的东西都会因人迷惑。
        我宁愿具体的去探讨。

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